Fushigi Yugi: Enemies Unseen/Looking for Yui

Episodes 7/8

Episode 9: Enemies Unseen

Last time on Fushigi Yugi: Miaka jumped back in the book in order to make out with Tamahome rescue Yui, and finds that relations between Kutou and Konan have gone sour, while her best friend is nowhere to be found. HMMM I WONDER WHERE SHE COULD BE????????

The episode opens just after the touching reunion between Miaka and Tamahome, when lights flash from the trees and a pair of hands reach out of the woods and pull her… somewhere? There’s literally no background drawn so it looks like she’s in another dimension. She bites the hand of her supposed attacker, hard, proving once again that she does have some fight in her when convenient. Her abductor, a fox-faced, goofy-voiced man informs her that she was under attack – in the English version he snarks that he should have asked before rescuing her, while in the Japanese version he just says he doesn’t blame her. Why is the dub so mean? He disappears into his hat, and despite all the strange things Miaka has seen, she’s confused.

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[Link] Chatty AF

Hey guys!

This week, Anime Feminist kicked of the first episode of our podcast, Chatty AF! (Autoplay warning) In this episode, we discuss the current season of anime thus far: what we’re watching, why we’re watching it, and how we feel about their representations of women. Participating are editor-in-chief AmeliaLauren Orsini, Peter Fobian, and yours truly.

It was a lot of fun to record, and I hope you enjoy listening to it! Please leave any feedback here or at Anime Feminist.

Showa Genroku Rakugo Shinjuu Sukeroku Hen 1-5: The Why and What of “Wa”

Thank you to Michelle for your help in researching female rakugoka!

About a year ago, I wrote about Showa Genroku Rakugo Shinjuu’s Konatsu. A young woman born into the all-male performing art of rakugo, she was cursed to be an outsider in the only world she knew. Her bitterness was further fueled by her toxic relationship with Yakumo, her emotionally distant foster father whom she believed killed her biological father. However, the show’s first season focused on Konatsu’s father and Yakumo, so we didn’t get to see how Konatsu’s arc would play out. The show’s sequel, Sukeroku-hen, is running this season. It brings the focus back to Konatsu, her hapless husband Yotaro, their son Shinnosuke, and the bitter, elderly Yakumo. The Konatsu of the second season, thus far, is recognizable, but a major shift in her attitude makes me wonder where the show is going.

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My Tsundere Life

Growing up, I wasn’t an angry adolescent so much as a frustrated one. I always had a temper, compounded by the social immaturity and drop in grades that came with undiagnosed ADHD. I felt betrayed by the way my body was changing. Nothing in my life felt quite right. The media I consumed growing up – Clarissa Explains It All, Animorphs, horse novels, a huge variety of Disney movies, and so on – showed me how to be a kind girl, a smart girl, an empathetic girl, even a tough girl – but there seemed to be nothing out there for a weird, awkward, temperamental girl. I felt like I was wandering through life without a guidebook, until one day I discovered Ranma ½.

I stumbled on an ad for it in the back of a Pokemon manga when I was twelve years old. An acquaintance at school lent me a VHS of the second movie and I was hooked. I had no allowance, so each $30 VHS or $15 manga volume was hard-earned, but I devoured as much information as I could about it via pre-Wikipedia fanpages on the internet. Here was a series where girls were strong and tough and fought, even if they were never on a level with the guys. The female cast was huge, a far cry from the token female friends that dominated American animation. Though she wasn’t my favorite (that honor goes to okonomiyaki chef Ukyo Kuonji), I developed a particular affection for Akane Tendo, whose hot temper and disgust with men closely matched my own.

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