When Yuri!! on Ice was announced, fans took notice. Director Sayo Yamamoto has amassed something of a cult following among feminist anime fans in the US for her full-length series Michiko and Hatchin and The Woman Called Fujiko Mine, which explicitly challenged the roles of women in popular fiction. She’d also directed the beautiful figure skating short “Endless Night” for Animator Expo, so it wasn’t exactly a shock when it was announced she’d direct a TV series with a similar concept. The big question was, when she’s primarily told stories about women and for women, what would a series featuring men be like coming from her?
The answer, it turns out, is something just as beautiful and subversive as her previous works. Much digital ink has been spilled about the beauty of the relationship between Yuri and Victor and about how revolutionary it is for both Yuris to make feminine expression integral parts of their routines. This is absolutely true, and I don’t have much to add to that conversation. I was, however, struck by how the secondary cast came across as well-rounded humans with lives of their own, even with limited screen time. In shows focused around male characters, the female cast tends to suffer, reduced to satellite characters with little purpose in life except their relationship to the male protagonists. Yamamoto and co-creator Mitsurou Kubo, however, fill Yuri’s universe with intelligent, capable women instrumental in shaping his life and his story, and the show is much stronger for it.