Fushigi Yuugi 11-12: Priestess of Seiryuu/Only You

STRONG content warning for sexual assault, self-harm, and attempted suicide

Episode 11: Priestess of Seiryuu

There’s a lot of plot happening in this one, folks, so buckle in.

Last time on Fushigi Yugi: Miaka narrowly avoided getting killed, despite making a lot of terribly irresponsible decisions, and found Yui. Funnily, the opening narration says it’s “as if through the divine intervention of Suzaku”, making it quite clear that this plot contrivance is a huge stretch!

The first rule of entering enemy territory is to be careful and keep your wits about you. Miaka has fairly little in the way of wits to begin with, so she makes the careless mistake of dropping her bag on the floor and revealing that she has the scroll marking her as the Priestess of Suzaku. The emperor calls for the guards, so Miaka shows self-preservation instincts for the first time in several episodes, grabs Yui, and takes off running. Continue reading “Fushigi Yuugi 11-12: Priestess of Seiryuu/Only You”

Updated Recommendations

Over the past few days, I’ve been updating the “Recommendations” page with movies and shows I’ve watched in the past few months. These are the new entries:

Only Yesterday

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Twenty-seven-year-old Taeko Okajima dreams of the countryside. Despite being born and raised in Tokyo, she has always longed for a small hometown to return to like her classmates’ families. Now, she’s taking a trip to Yamagata to help with the safflower harvest and experience rural life for herself. While on the train, she begins to remember her childhood, and the memories continue flow as she settles into her temporary home.

For many years, Only Yesterday sat in licensing hell, held by a Disney that was mainly interested in the marketability of Hayao Miyazaki’s fantastical, family-friendly worlds while Isao Takahata’s more grounded stories remained in limbo. Now GKids possesses the license, and they have thankfully put in the effort to bring these movies the attention they deserve, including dubs and theatrical releases. Only Yesterday depicts a young woman who feels alienated and dissatisfied with city life, and as the movie examines her adolescence, it becomes clear that she has never truly felt at home. Taeko felt misunderstood by her sisters and stifled by her loving but overly stern father. The bumps and bruises of adolescence, both physical and psychological, are depicted with a sort of softness that doesn’t reduce them but makes them feel more relatable as Taeko reflects on the experiences that made her the woman she is today. Country life is quite romanticized when compared to the disconnect Taeko feels with her city origins, but viewed as a personal journey rather than an indictment of urban lifestyles, it makes for a beautiful, satisfying story.

Continue reading “Updated Recommendations”

How to Read Manga Legally: A Guide

It’s common wisdom that there’s never been a better time to be an anime fan. More anime than you could watch in a lifetime is legally available streaming online for free; for only a small monthly subscription, you can access another lifetime’s worth only hours after it airs in Japan. Gone are the days of paying $30 for a two-episode VHS, of gathering around a fuzzy fansub VHS at anime club, of tolerating nonsensical edits and low-quality dubbing to watch a show on TV. For people who have been into the hobby for fifteen years or more, it’s an age of miracles.

But if you’re a manga fan? Not so much.

Don’t get me wrong, it’s still much better than it used to be – manga volumes are inexpensive and plentiful, with a wide variety of series being released. However, compared to the land of milk and honey that anime fans inhabit, it can feel a bit frustrating. Many fans end up turning to scanlations, scanned versions of manga volumes available for free online, using either amateur translations or sometimes outright pirating the official English releases. It’s not hard to see why this is popular or commonplace – manga is almost never free and convenient the way anime is, and fans weaned on online streaming are used to instant gratification. Many fans don’t even realize that these sites are illegal, since they’re often among the first results when you plug a title into a search engine.

Manga fans, there is a better way!

Continue reading “How to Read Manga Legally: A Guide”

Links, Glorious Links!

Things have been a bit quiet around here the last few weeks, and for that, I apologize. Despite my best attempts at maintaining a regular update schedule, sometimes real life just takes over for a bit – by life, I mean job and conventions. I’ve completed my Child Development Associate’s, thus securing my continued employment at the center where I work, and Sakura Con is coming up soon, which I’ll have more info about next week!

I did manage to sneak in some work for Anime Feminist during the interim, which I’m excited to share with you. Turns out, participating in a podcast that you don’t have to edit is way less work than churning out an article.

Without further ado, the links. Continue reading “Links, Glorious Links!”

Forgotten Realms: The Isekai Boom of the 90’s

There’s no denying it: isekai is the genre of the moment in Japanese nerd culture. The loanword identifying the genre literally means “different world”, and it features a protagonist from our own world suddenly finding themselves trapped in an alternate world, usually one dominated by Western fantasy tropes. The trend reached the US in the early 2010’s with Sword Art Online, with its protagonist Kirito trapped in an MMORPG. Isekai are generally adaptation of light novels, where they are so prominent that last summer, a short story contest banned entries featuring alternate worlds. Like most light novel anime, they’re usually aimed at young men already immersed in the genre, and their protagonists tend to have a degree of self-awareness about their situation.

Despite their recent surge of popularity, isekai series have been around for quite a while. Recently, I stumbled on an article that claimed that the genre barely existed until a 1983 children’s show called Manga Aesop Monogatari and the anime adaptation of Inuyasha, which began in the year 2000. This article is, to put it bluntly, dead wrong. One of the earliest examples of the genre is Crest of the Royal Family, a 1976 shoujo manga that is still running to this day. Inuyasha may have been a breakout hit, but isekai anime and manga thrived during the 90’s. US fans didn’t have a name for it at the time – we generally referred to it as “‘trapped in another world’ anime”. The main difference between isekai then and isekai now is the intended audience – 25 years ago, it was a staple of the shoujo demographic, rather than today’s escapist playgrounds for young men. Ordinary young women were pulled into alternate worlds where attractive young men told them they had a special destiny to fulfill. They went on grand adventures and usually – though not always – fell in love along the way.

Continue reading “Forgotten Realms: The Isekai Boom of the 90’s”

Interviews with Monster Girls: Succubus-san is Guilty until Proven Innocent

Content Warnings: Ace erasure, sexual assault, victim blaming

When Interviews with Monster Girls premiered two months ago, it surprised many fans by treating its subject, demi-humans, as an allegory for disability rather than fetishistized harem material. The first episode treated the concept with unusual sensitivity for the genre, highlighting how the girls’ unique needs must be accommodated to ensure equality, rather than treating everyone exactly the same way. Since then, the series has made a number of missteps, despite what I can only assume are the best of intentions, but its well-meaning sincerity generally makes up for it.

The seventh episode, “Succubus-san is Inquisitive,” features Sakie Satou, a succubus trying to live in the mainstream as a teacher despite how she involuntarily arouses men simply by existing, and Detective Ugaki, the police officer who has been tracking her for most of her life. Because of the poorly-handled inclusion of real-life issues such as covert photography and train molestation, this is easily the most awkward and uncomfortable episode yet.

Continue reading “Interviews with Monster Girls: Succubus-san is Guilty until Proven Innocent”

Fushigi Yugi: Enemies Unseen/Looking for Yui

Episodes 7/8

Episode 9: Enemies Unseen

Last time on Fushigi Yugi: Miaka jumped back in the book in order to make out with Tamahome rescue Yui, and finds that relations between Kutou and Konan have gone sour, while her best friend is nowhere to be found. HMMM I WONDER WHERE SHE COULD BE????????

The episode opens just after the touching reunion between Miaka and Tamahome, when lights flash from the trees and a pair of hands reach out of the woods and pull her… somewhere? There’s literally no background drawn so it looks like she’s in another dimension. She bites the hand of her supposed attacker, hard, proving once again that she does have some fight in her when convenient. Her abductor, a fox-faced, goofy-voiced man informs her that she was under attack – in the English version he snarks that he should have asked before rescuing her, while in the Japanese version he just says he doesn’t blame her. Why is the dub so mean? He disappears into his hat, and despite all the strange things Miaka has seen, she’s confused.

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Continue reading “Fushigi Yugi: Enemies Unseen/Looking for Yui”

[Link] Chatty AF

Hey guys!

This week, Anime Feminist kicked of the first episode of our podcast, Chatty AF! (Autoplay warning) In this episode, we discuss the current season of anime thus far: what we’re watching, why we’re watching it, and how we feel about their representations of women. Participating are editor-in-chief AmeliaLauren Orsini, Peter Fobian, and yours truly.

It was a lot of fun to record, and I hope you enjoy listening to it! Please leave any feedback here or at Anime Feminist.

Showa Genroku Rakugo Shinjuu Sukeroku Hen 1-5: The Why and What of “Wa”

Thank you to Michelle for your help in researching female rakugoka!

About a year ago, I wrote about Showa Genroku Rakugo Shinjuu’s Konatsu. A young woman born into the all-male performing art of rakugo, she was cursed to be an outsider in the only world she knew. Her bitterness was further fueled by her toxic relationship with Yakumo, her emotionally distant foster father whom she believed killed her biological father. However, the show’s first season focused on Konatsu’s father and Yakumo, so we didn’t get to see how Konatsu’s arc would play out. The show’s sequel, Sukeroku-hen, is running this season. It brings the focus back to Konatsu, her hapless husband Yotaro, their son Shinnosuke, and the bitter, elderly Yakumo. The Konatsu of the second season, thus far, is recognizable, but a major shift in her attitude makes me wonder where the show is going.

Continue reading “Showa Genroku Rakugo Shinjuu Sukeroku Hen 1-5: The Why and What of “Wa””