Recommendations – Spring update

It’s been a while since I updated my recommendations! I’m going to start aiming for at least quarterly updates, so while it may not include all the best anime from the previous season, it’ll give you a better idea of what I’ve been reading and watching lately.

In this:
Beauty is the Beast
Pink
Fruits Basket (manga update)
Dawn of the Arcana
Complex Age
In This Corner of the World
Flip Flappers
Recovery of an MMO Junkie
Fushigi Yugi (yes, really!)
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Beauty is the Beast

When Eimi Yamashita’s parents move abroad for work, she decides to go live in her school’s dorm. Her quirky, off-beat personality and carefree nature quickly endear her to her dormmates, as well as some of the residents of the boys’ dorm. She finds herself most drawn to Wanibuchi, a young man with a dangerous reputation.

Beauty is the Beast makes an interesting addition to the army of shoujo manga centered around a troubled bad boy. Viz’s copy makes it sound like a romantic melodrama, but it’s much closer to a slice-of-life comedy with some sprinkling of drama. Mangaka Tomo Matsumoto draws on her own experiences from living in a dorm, using them as a source for characters and plot threads, giving it a gentle, grounded atmosphere. I don’t know if Eimi is based on reality – she’s a bit too airheaded and strange to feel quite real. Wanibuchi, on the other hand, is indeed a troubled bad boy, but in a much more believable way than most of his ilk. His anger is justified, and his sense of alienation as a returnee comes across keenly. He never turns his anger against Eimi, nor does the narrative put pressure on her to “fix” him. It’s a light, pleasant read with enough darker undertones to make it compelling. Unfortunately, it ends quite abruptly – I suspect it was cancelled in its original run. It’s a shame, because I would have loved to read more.

Continue reading “Recommendations – Spring update”

Link Drop: Fushigi Yugi Casts

Remember when I said I was working on a Fushigi Yugi-related project with Anime Feminist? Yeah, that’s still a thing.

As part of our weekly Chatty AF podcast, I’ve been going through the series a few episodes at a time with my dear friends Dee and Vrai. We’re several episodes deep, and it was great fun to go back and revisit the series’ highs as well as its lows with… well, one person who loved it just as much as I did, and another whose feelings are a little more ambivalent.

Continue reading “Link Drop: Fushigi Yugi Casts”

Fushigi Yugi: Being Kind to Teens and Their Stories

After much thought, I’ve decided to officially end my recaps of Fushigi Yugi.

I started them as a way of exploring the problems I had with my once-favorite series. The homo- and transphobia, poor animation, overwrought melodrama, and awkward dub script had soured it in my mind over the years. When it came out on Crunchyroll, watching and mocking it became something of a trend in my little corner of Anitwitter, and I was more than happy to jump on that train.

However, over the past couple months, I’ve been working on a different project related to it as a part of Anime Feminist, collaborating with fellow contributors Dee of Josei Next Door and Vrai Kaiser. Going back over it with my fellow feminists who grew up with the series like I did started to remind me of why I loved the series so fervently as a teenager. While it’s a flawed work, there’s a power to it that spoke to me that I don’t want to discount. Continue reading “Fushigi Yugi: Being Kind to Teens and Their Stories”

Otakon 2017: Interview with Stephanie Sheh

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This year at Otakon, I sat down with veteran voice actress and director Stephanie Sheh to talk about the current state of the industry, the rapidly-evolving world of anime dubbing, and what anime has to offer young women. Sheh has been working in the dubbing industry since debuting as Silky in I’m Gonna Be An Angel in 2001 and has played a number of significant roles including the title character of Eureka Seven, Yui Hirasawa in K-On, and the iconic Usagi Tsukino in Viz’s dub of Sailor Moon.

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CM: What are some changes you’ve seen in anime since you started? You’ve been in the dubbing game for a really long time. Have you noticed any major shifts in genres or character types?

SS: I think the main shift is moving toward the simultaneous type of dub release. The dub releases are much quicker after the Japanese. The other thing is streaming services totally changed the game. In the past, there was a much bigger audience, but that audience was at least paying for their stuff, and then bootlegging and all these free streaming services really changed the shape of the industry and we’ve had to change to adapt. On the dubbing front, you see Japanese companies be more involved, care about American audiences, give their say. Now, sometimes you need approval for casting, for scripts, for things like that. I think that that is… most of the time, a good thing.

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Fushigi Yugi 13-14: For the Sake of Love/Wolf in the Fortress

Content warnings for homophobia and sexual assault

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Episode 13: For the Sake of Love

Last time on Fushigi Yugi: Taiitsukun forces Miaka to watch Yui’s rape, and also to face reality. Hotohori and Tamahome have a macho dick-waving contest.

I’ll be real y’all: I don’t have THAT much snark for these episodes. Turns out, the second quarter of Fushigi Yugi is the show at its absolute best, when the characters are at their most sympathetic and the plot moves at a brisk pace. Their choices are in-character and make sense and the story progression is logical. Enjoy it, but I may not be as crabby about it as usual.

Keisuke reads The Universe of the Four Gods back in reality, somewhat uncomfortable about how all the boys want to sex up his little sister. Lucky for him and everyone else involved, before Miaka and Tamahome can get their sloppy makeouts going, Hotohori busts in, shouting about sensing evil. To prove he’s not just cockblocking, a threatening voice comes out of nowhere, informing them that Kutou has sleeper agents everywhere and could totally defeat Konan whenever they want. Why haven’t they yet? Because their priestess is horny for Tamahome. To prevent her from destroying the country out of sheer sexual frustration, they must deliver Tamahome to Kutou. I guess it’s always been the case that sex plays a major role in international conflict, but it’s funny to see international relations dictated by hormonal teenagers.

Continue reading “Fushigi Yugi 13-14: For the Sake of Love/Wolf in the Fortress”

Confronting Biases in My Hero Academia

In the months since I’ve started watching it, My Hero Academia has quickly become my favorite battle shonen series. It’s not particularly mold-breaking; it uses the same genre tropes as most other series of its ilk. Its main strength is that it brings the genre’s strengths to the forefront, with a supremely likable ensemble cast and exciting battles, while leaving behind many of the genre’s typical weaknesses. One of battle shonen’s greatest struggles has long been how to incorporate its female characters, and My Hero Academia handles the situation with rare grace and aplomb. However, no work of art is free of biases, and while My Hero Academia avoids many issues associated with the genre, there are still many sexist biases deeply encoded in the series.

Continue reading “Confronting Biases in My Hero Academia”

Dragon Ladies from Another World: Foreigner Identity in Miss Kobayashi’s Dragon Maid

It wouldn’t be far from the truth to describe Kobayashi’s Dragon Maid as reverse-isekai show – Tohru has, after all, been sent to another world and must learn to live in a world where the rules are entirely different. However, its slice-of-life nature separates it from the likes of Fushigi Yugi or Re:Zero, where quests and other plot demands direct the flow of the narrative. Rather, Kobayashi’s Dragon Maid has a gentle pace, portraying the everyday life of Kobayashi, Tohru, and their friends with plenty of bawdy comedy and only a few occasional hints at a greater plot. The slice-of-life approach creates opportunities for quiet contemplation, even under the fan service and sexual jokes, and delivers a charming message about adapting to a new life in a new culture and found families.

Continue reading “Dragon Ladies from Another World: Foreigner Identity in Miss Kobayashi’s Dragon Maid”

Popular Isekai Light Novel Adaptations as Guys Who Lived in Your Freshman Dorm

Sword Art Online is Kyle

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Kyle is really into respecting women, and he wants everyone to know about it. He likes to say that his greatest role model is his mom, because she worked so hard to raise him and his sister without any handouts. His real role model is Jean Claude van Damme, but he doesn’t tell anyone that. He doesn’t believe in the wage gap – it only seems that way, but if you really look at the data, it’s because women have different priorities in life. Besides, he wouldn’t want his wife to earn more than him because what would they do when she left her job to raise their kids? He talks a lot about his girlfriend back home, but she can’t come visit because she’s really busy. Oh, and she doesn’t use Facebook, Snapchat, and Instagram. She does use Twitter, mostly to agree with his tweets, and never posts selfies because she’s not vain like that. He is lowkey convinced that all his female friends are actually in love with him, because male-female friendship is always at least a little about attraction. People seem to really like him, but you don’t get it.

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Fushigi Yuugi 11-12: Priestess of Seiryuu/Only You

STRONG content warning for sexual assault, self-harm, and attempted suicide

Episode 11: Priestess of Seiryuu

There’s a lot of plot happening in this one, folks, so buckle in.

Last time on Fushigi Yugi: Miaka narrowly avoided getting killed, despite making a lot of terribly irresponsible decisions, and found Yui. Funnily, the opening narration says it’s “as if through the divine intervention of Suzaku”, making it quite clear that this plot contrivance is a huge stretch!

The first rule of entering enemy territory is to be careful and keep your wits about you. Miaka has fairly little in the way of wits to begin with, so she makes the careless mistake of dropping her bag on the floor and revealing that she has the scroll marking her as the Priestess of Suzaku. The emperor calls for the guards, so Miaka shows self-preservation instincts for the first time in several episodes, grabs Yui, and takes off running. Continue reading “Fushigi Yuugi 11-12: Priestess of Seiryuu/Only You”

Updated Recommendations

Over the past few days, I’ve been updating the “Recommendations” page with movies and shows I’ve watched in the past few months. These are the new entries:

Only Yesterday

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Twenty-seven-year-old Taeko Okajima dreams of the countryside. Despite being born and raised in Tokyo, she has always longed for a small hometown to return to like her classmates’ families. Now, she’s taking a trip to Yamagata to help with the safflower harvest and experience rural life for herself. While on the train, she begins to remember her childhood, and the memories continue flow as she settles into her temporary home.

For many years, Only Yesterday sat in licensing hell, held by a Disney that was mainly interested in the marketability of Hayao Miyazaki’s fantastical, family-friendly worlds while Isao Takahata’s more grounded stories remained in limbo. Now GKids possesses the license, and they have thankfully put in the effort to bring these movies the attention they deserve, including dubs and theatrical releases. Only Yesterday depicts a young woman who feels alienated and dissatisfied with city life, and as the movie examines her adolescence, it becomes clear that she has never truly felt at home. Taeko felt misunderstood by her sisters and stifled by her loving but overly stern father. The bumps and bruises of adolescence, both physical and psychological, are depicted with a sort of softness that doesn’t reduce them but makes them feel more relatable as Taeko reflects on the experiences that made her the woman she is today. Country life is quite romanticized when compared to the disconnect Taeko feels with her city origins, but viewed as a personal journey rather than an indictment of urban lifestyles, it makes for a beautiful, satisfying story.

Continue reading “Updated Recommendations”