It wouldn’t be far from the truth to describe Kobayashi’s Dragon Maid as reverse-isekai show – Tohru has, after all, been sent to another world and must learn to live in a world where the rules are entirely different. However, its slice-of-life nature separates it from the likes of Fushigi Yugi or Re:Zero, where quests and other plot demands direct the flow of the narrative. Rather, Kobayashi’s Dragon Maid has a gentle pace, portraying the everyday life of Kobayashi, Tohru, and their friends with plenty of bawdy comedy and only a few occasional hints at a greater plot. The slice-of-life approach creates opportunities for quiet contemplation, even under the fan service and sexual jokes, and delivers a charming message about adapting to a new life in a new culture and found families.
Over the past few days, I’ve been updating the “Recommendations” page with movies and shows I’ve watched in the past few months. These are the new entries:
Twenty-seven-year-old Taeko Okajima dreams of the countryside. Despite being born and raised in Tokyo, she has always longed for a small hometown to return to like her classmates’ families. Now, she’s taking a trip to Yamagata to help with the safflower harvest and experience rural life for herself. While on the train, she begins to remember her childhood, and the memories continue flow as she settles into her temporary home.
For many years, Only Yesterday sat in licensing hell, held by a Disney that was mainly interested in the marketability of Hayao Miyazaki’s fantastical, family-friendly worlds while Isao Takahata’s more grounded stories remained in limbo. Now GKids possesses the license, and they have thankfully put in the effort to bring these movies the attention they deserve, including dubs and theatrical releases. Only Yesterday depicts a young woman who feels alienated and dissatisfied with city life, and as the movie examines her adolescence, it becomes clear that she has never truly felt at home. Taeko felt misunderstood by her sisters and stifled by her loving but overly stern father. The bumps and bruises of adolescence, both physical and psychological, are depicted with a sort of softness that doesn’t reduce them but makes them feel more relatable as Taeko reflects on the experiences that made her the woman she is today. Country life is quite romanticized when compared to the disconnect Taeko feels with her city origins, but viewed as a personal journey rather than an indictment of urban lifestyles, it makes for a beautiful, satisfying story.
This week, Anime Feminist kicked of the first episode of our podcast, Chatty AF! (Autoplay warning) In this episode, we discuss the current season of anime thus far: what we’re watching, why we’re watching it, and how we feel about their representations of women. Participating are editor-in-chief Amelia, Lauren Orsini, Peter Fobian, and yours truly.
It was a lot of fun to record, and I hope you enjoy listening to it! Please leave any feedback here or at Anime Feminist.