Abuse in Shoujo by the Numbers Week 2

Hey Caitlin.

Yes?

Why are you such a misogynist?

Wait what?

Why do you hate stories written by women?

I don’t –

Why do you think women and girls are too stupid to tell reality from fantasy?

Why would you think –

That’s the only thing I can assume from this blog!

*sigh* Okay.

Apparently my continued pursuit of this topic, along with my lack of more positive coverage of shoujo, has given some people the deeply mistaken impression that I am suspicious or disdainful of it and that I only read shoujo manga with this aspect in mind. In retrospect, I can see where that impression comes from. This has become something of a passion project for me. It’s a topic I consider deeply important, so it’s only natural that I give it a lot of focus. However, because of a number of factors, I haven’t written as much as I wanted to on other, more positive aspects of the demographic. In order to combat this perception, I’m going to include in these posts short essays about shoujo manga and my relationship with it that I hope will clarify things.

Continue reading “Abuse in Shoujo by the Numbers Week 2”

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Confronting Biases in My Hero Academia

In the months since I’ve started watching it, My Hero Academia has quickly become my favorite battle shonen series. It’s not particularly mold-breaking; it uses the same genre tropes as most other series of its ilk. Its main strength is that it brings the genre’s strengths to the forefront, with a supremely likable ensemble cast and exciting battles, while leaving behind many of the genre’s typical weaknesses. One of battle shonen’s greatest struggles has long been how to incorporate its female characters, and My Hero Academia handles the situation with rare grace and aplomb. However, no work of art is free of biases, and while My Hero Academia avoids many issues associated with the genre, there are still many sexist biases deeply encoded in the series.

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Abusive Relationships in Shoujo by the Numbers: Introduction and Week One

The response to my “Romance and Abuse in Shoujo” panel has been consistently overwhelming. The transcripts from my Sakura Con 2016 get new pageviews every day, and every time I present it, I get people approaching me afterward telling me how meaningful they found it. I’m incredibly proud to have put together something that touches people’s lives and resonates with their experiences so strongly.

Many of the series I used in my presentation are older, because those were the ones that made me take notice of this issue years ago. However, I’m not sure how relevant this is to current audiences – how many people sitting and listening are familiar with Boys Over Flowers or Hot Gimmick? New volumes of shoujo manga come out every week, thanks to the hardworking localizers at companies like Viz, Seven Seas, and many others. I curate my reading list pretty carefully, so for years I’ve made a point of looking for series with healthy relationships, or series that are aware of the abusive dynamics they contain. Starting work on this project forced me to engage with series I actively avoided, but what about the ones I just never heard of?

So I started wondering, how do the numbers break down? How many of the series that make it to US shores really do romanticize abuse, and how many don’t? In search of these answers, I’ve started a new side project: “Abusive Relationships in Shoujo by the Numbers.”

Continue reading “Abusive Relationships in Shoujo by the Numbers: Introduction and Week One”

Dragon Ladies from Another World: Foreigner Identity in Miss Kobayashi’s Dragon Maid

It wouldn’t be far from the truth to describe Kobayashi’s Dragon Maid as reverse-isekai show – Tohru has, after all, been sent to another world and must learn to live in a world where the rules are entirely different. However, its slice-of-life nature separates it from the likes of Fushigi Yugi or Re:Zero, where quests and other plot demands direct the flow of the narrative. Rather, Kobayashi’s Dragon Maid has a gentle pace, portraying the everyday life of Kobayashi, Tohru, and their friends with plenty of bawdy comedy and only a few occasional hints at a greater plot. The slice-of-life approach creates opportunities for quiet contemplation, even under the fan service and sexual jokes, and delivers a charming message about adapting to a new life in a new culture and found families.

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Popular Isekai Light Novel Adaptations as Guys Who Lived in Your Freshman Dorm

Sword Art Online is Kyle

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Kyle is really into respecting women, and he wants everyone to know about it. He likes to say that his greatest role model is his mom, because she worked so hard to raise him and his sister without any handouts. His real role model is Jean Claude van Damme, but he doesn’t tell anyone that. He doesn’t believe in the wage gap – it only seems that way, but if you really look at the data, it’s because women have different priorities in life. Besides, he wouldn’t want his wife to earn more than him because what would they do when she left her job to raise their kids? He talks a lot about his girlfriend back home, but she can’t come visit because she’s really busy. Oh, and she doesn’t use Facebook, Snapchat, and Instagram. She does use Twitter, mostly to agree with his tweets, and never posts selfies because she’s not vain like that. He is lowkey convinced that all his female friends are actually in love with him, because male-female friendship is always at least a little about attraction. People seem to really like him, but you don’t get it.

Continue reading “Popular Isekai Light Novel Adaptations as Guys Who Lived in Your Freshman Dorm”

A Sincere Apology + Upcoming

Where has the time gone? Where have I been the last few weeks?

Well, not really much of anywhere.

I decided I was going to power through Persona 5 and it ended up swallowing my life for way longer than expected… especially since I decided to replay Persona 3 right after. I’ll be writing a post about them eventually, so it’s justified, right? Right?

…Wrong.

Once that happened, I also entered into my avoidance phase and didn’t even touch my computer for the better part of three weeks. I’ve neglected pretty much all my blogging duties, both for this and for AniFem. Posts have gone unedited, outlines unsubmitted, and generally I’m just a mess.

I have no excuse, and I’m sorry.

But! BUT! There is good news!

Two of my panels have been APPROVED for Anime Fest in August: Romance and Abuse in Shoujo Manga and Is This Feminist Or Not? I’m super excited to be presenting them to a new audience, and I hope to see some of you there in six weeks!

Six weeks?

OH GOD SIX WEEKS.

Fushigi Yuugi 11-12: Priestess of Seiryuu/Only You

STRONG content warning for sexual assault, self-harm, and attempted suicide

Episode 11: Priestess of Seiryuu

There’s a lot of plot happening in this one, folks, so buckle in.

Last time on Fushigi Yugi: Miaka narrowly avoided getting killed, despite making a lot of terribly irresponsible decisions, and found Yui. Funnily, the opening narration says it’s “as if through the divine intervention of Suzaku”, making it quite clear that this plot contrivance is a huge stretch!

The first rule of entering enemy territory is to be careful and keep your wits about you. Miaka has fairly little in the way of wits to begin with, so she makes the careless mistake of dropping her bag on the floor and revealing that she has the scroll marking her as the Priestess of Suzaku. The emperor calls for the guards, so Miaka shows self-preservation instincts for the first time in several episodes, grabs Yui, and takes off running. Continue reading “Fushigi Yuugi 11-12: Priestess of Seiryuu/Only You”

Updated Recommendations

Over the past few days, I’ve been updating the “Recommendations” page with movies and shows I’ve watched in the past few months. These are the new entries:

Only Yesterday

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Twenty-seven-year-old Taeko Okajima dreams of the countryside. Despite being born and raised in Tokyo, she has always longed for a small hometown to return to like her classmates’ families. Now, she’s taking a trip to Yamagata to help with the safflower harvest and experience rural life for herself. While on the train, she begins to remember her childhood, and the memories continue flow as she settles into her temporary home.

For many years, Only Yesterday sat in licensing hell, held by a Disney that was mainly interested in the marketability of Hayao Miyazaki’s fantastical, family-friendly worlds while Isao Takahata’s more grounded stories remained in limbo. Now GKids possesses the license, and they have thankfully put in the effort to bring these movies the attention they deserve, including dubs and theatrical releases. Only Yesterday depicts a young woman who feels alienated and dissatisfied with city life, and as the movie examines her adolescence, it becomes clear that she has never truly felt at home. Taeko felt misunderstood by her sisters and stifled by her loving but overly stern father. The bumps and bruises of adolescence, both physical and psychological, are depicted with a sort of softness that doesn’t reduce them but makes them feel more relatable as Taeko reflects on the experiences that made her the woman she is today. Country life is quite romanticized when compared to the disconnect Taeko feels with her city origins, but viewed as a personal journey rather than an indictment of urban lifestyles, it makes for a beautiful, satisfying story.

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How to Read Manga Legally: A Guide

It’s common wisdom that there’s never been a better time to be an anime fan. More anime than you could watch in a lifetime is legally available streaming online for free; for only a small monthly subscription, you can access another lifetime’s worth only hours after it airs in Japan. Gone are the days of paying $30 for a two-episode VHS, of gathering around a fuzzy fansub VHS at anime club, of tolerating nonsensical edits and low-quality dubbing to watch a show on TV. For people who have been into the hobby for fifteen years or more, it’s an age of miracles.

But if you’re a manga fan? Not so much.

Don’t get me wrong, it’s still much better than it used to be – manga volumes are inexpensive and plentiful, with a wide variety of series being released. However, compared to the land of milk and honey that anime fans inhabit, it can feel a bit frustrating. Many fans end up turning to scanlations, scanned versions of manga volumes available for free online, using either amateur translations or sometimes outright pirating the official English releases. It’s not hard to see why this is popular or commonplace – manga is almost never free and convenient the way anime is, and fans weaned on online streaming are used to instant gratification. Many fans don’t even realize that these sites are illegal, since they’re often among the first results when you plug a title into a search engine.

Manga fans, there is a better way!

Continue reading “How to Read Manga Legally: A Guide”