Summary: Obese otaku Kae Serinuma loves one thing above all else: witnessing intense bonds between men. Whether it’s fictional boys of anime or her handsome male classmates, she lives for the moment where they share a significant glance or touch. When her favorite anime character dies, Kae locks herself in her room for two weeks without food. When she emerges and returns to school, she’s lost all the extra weight. Suddenly, the boys that wouldn’t give her the time of day want nothing more than her attention, but she’d rather they pay more attention to each other!
Content warnings: weight loss/gain, strong trigger warning for sexual assault
My expectations going into Kiss Him, Not Me were low, to say the least. Despite my own fondness for seeing boys kiss, I view fujoshi culture with an extremely critical eye. That is, after all, the reason garbage like Super Lovers and Junjou Romantica keeps getting made. I’m also not a fan of shipping real people or the idea that a girl only needs to lose weight to be lovable. When I actually gave the series a try, I was surprised to find it actually has something of a subversive bent, taking shots at romantic shoujo tropes without turning into outright parody. It’s a romantic comedy with very little romance; it’s a harem show where the heroine has more interest in the unattainability of fictional characters. However, that subversiveness is inconsistent and regularly mixed in with the typical shoujo cliches, making it hard to take the message seriously.
The premise of the show alone raises eyebrows. Manga about some kind of personal transformation are fairly common, such as Blue Spring Ride and High School Debut, and almost always revolve around the idea that daintiness and prettiness are more feminine and thus desirable. Kae, however, has absolutely zero interest in changing. The weight loss was purely accidental and she was plenty happy how she was. Her love of anime and BL still dictates most of her actions, and she doesn’t much care whether or not her harem decides to join her at things like Comiket or picking up the latest character goods at Animate. Kae’s ability to stay true to herself is remarkable, as is the boys’ willingness to accept her for who she is. It’s easy for a manga to convey the message to be yourself, but Kiss Him, Not Me dares readers to embrace their socially unacceptable qualities.
Continue reading “Sexual Assault and Subversiveness in Kiss Him, Not Me”